Tele-tamaiti |
Tele-itiiti, faiga tetele-laiti.
1) O se faaupuga e faʻaalia ai le tuʻufaʻatasia o faiga faʻafeagai i totonu o le tasi faiga. O ituaiga sili ona taatele o le: o le eponymous major-minor (major mode enriched with chords and melodic turns of the eponymous minor) ma, e fai si itiiti soo, o le eponymous minor-major (laiti fa'atamaoaigaina i elemene o le eponymous major); ia M.-m. e aofia ai foʻi le faʻafefiloi o faiga tutusa - harmonic. tele ma le ogatasi. laiti. Mm. faʻatasi ai ma le chromatic system o se tasi lea o ituaiga o faʻalautele auala faʻaogaina ("tonality faʻalautele" - e tusa ai ma le GL Catuar, IV Sposobin).
Tele-itiiti
Minoro tele
Major; faiga fa'aparallel chords
Laiti; faiga fa'aparallel chords
Fa'aaogāga fa'atasiga fa'apitoa M. – m. (maualalo VI ma III laasaga i M.-m., maualuga III ma VI i laiti-tele, ma isi.) tuuina atu le fret multicolor, susulu, teuteu le fati i ni suiga fou polymodal:
Faipule Mussorgsky. Romance “Na lele filemu le mauga maualuga …”.
SV Rachmaninov. Romance "Tataeao".
I tala faasolopito M.-m. e pei o se faiga faʻapitoa polymodal atiaʻe i le loloto o le masani. faiga tone. O le manatu o le diatonic major ma minor e fetaui lelei e muamua i le manatu o le M.-m. Ae ui i lea, o aiga o le mea na tupu e maua i galuega polyphonic homophonic. o le Renaissance (e pei ona i ai, o le M.-m.) muamua, lea, mo se faʻataʻitaʻiga, o le tulafono o le faʻamaeʻaina o leo o Dorian laʻititi, Phrygian ma Aeolian ma se triad tele (silasila i le siata o le pese o le e faapena Dorian M.-m. i le tusi. ” History of Musical Culture” saunia e R. Gruber (vol. 1, vaega 1, M.-L., 1941, itulau 399)). O toega o lenei mea e le o faʻavasegaina na ulufale faʻapitoa i le tonal system i le tulaga o le pule sili o le laʻititi ma lona fegalegaleai ma chords laiti masani (vaai, mo se faʻataʻitaʻiga, pa 8-11 o le 2nd movement of Bach's Italian Concerto), e pei o. faʻapea foʻi ma le foliga o le tele ( "Picardian") lona tolu i le faaiuga o le op laʻititi. I le vaitau Baroque, o le faʻaaliga a M.-m. i le uiga talafeagai e mafai ona manatu Ch. arr. le fesuisuiai o le tele ma le laititi o le igoa tutusa i totonu o le auivi o le tasi fausaga (prelude D-dur mai le 1st movement of Bach's Well-Tempered Clavier, vols. 27-35), na o nisi taimi e oʻo atu ai i le faʻalauiloaina o chords o le laiti o le igoa tutusa i le tele (JS Bach, choral prelude “O Mensch, bewein' dein' Sünde gross” mo le okeni). I le Viennese classics M. – m. avea ma meafaigaluega sili atu ona malosi ona o le faateleina o le eseesega i le va o auala tetele ma laiti. O le fesuiaiga o le igoa lava e tasi o loʻo faʻaogaina lelei i faʻamatalaga, vaega muamua-cadence, i le ogatotonu ma atinaʻe (DA modulation i le 1st movement of Beethoven's 2nd symphony), o nisi taimi e faʻamalosi lanu. aafiaga (Beethoven's 16th sonata mo piano, vaega 1). Uoka. I musika, o le fa'aofiina o fati o se faiga fa'afeagai i le tu'inanau e fa'aalia ai fo'i le fa'atusaina o solo. ata (Leporello's aria mai le talafa'aga "Don Giovanni" saunia e Mozart). O le aso maualuga o M.-m. i ona ituaiga uma e pa'ū i le vaitau o le faʻafefe (F. Schubert, F. Liszt, R. Wagner, E. Grieg, MI Glinka, MP Mussorgsky, NA Rimsky-Korsakov). O paluga tetele ma laiti e o'o atu i le mafiafia sili ma le suamalie, e o'o atu i le fua o ki, chords, ma fati. suiga (tagai i le faataitaiga i luga). Layering i luga o le tasi ma le isi, o le mafutaga a M.-m. fa'atupuina filifili fa'atūlāitu masani o le vaitau (mo se fa'ata'ita'iga, fa'asolosolo fa'asologa: maualalo VI i lalo VI e ta'ita'i atu i le toe fo'i i le tulaga I; vaega muamua o Rimsky-Korsakov's Antar). I musika o le 1 senituri Mm. fa'aaogaina e fai ma meafaigaluega fa'apitoa fa'atasi ai ma se chromatic sili atu fa'alautele. faiga (saunia e SS Prokofiev, DD Shostakovich, P. Hindemith ma isi fatu pese).
I le avea ai o se faiga faʻapitoa faʻapitoa M.-m. na iloa i con. 19 senituri, aemaise lava i aʻoaʻoga o le afa muamua. 1 senituri Theorists o le fogafale 20. ma ser. O le seneturi lona 1 (G. Weber, AB Marx, FJ Fetis) na malamalama i le faiga o se diatonic faʻatapulaʻaina. faiga, faauigaina elemene o le "tetee" e alu i tua atu o tapulaa o le faiga ("leiterfremde" - "tagata ese i le fua", e tusa ai ma upu Siamani). I le talitonuga a Fetis o le tonality, o le muaʻi vaʻaia o polysystems ua uma ona iloa, lea M.-m. (o manatu o le "pluritonality", "omnitonality"). X. Riemann e tautala e uiga i "gagana fefiloi", ma fai mai e taʻua i latou o le "major-major" ma le "major-minor", ae o loʻo i ai i lona mafaufau le tele o ituaiga faʻafefiloi (mo se faʻataʻitaʻiga, o le laʻititi laʻititi i le tele). O se faamatalaga auiliili o le aoaoga faavae a M.-m. avanoa mai FO Gewart. I le gagana Rusia lit-re manatu M.-m. fa'aalia i le BL Yavorsky (upu: muamua "major-minor", mulimuli ane - "faiga o filifili"). E tutusa ma le talitonuga a Gewart o M.-m. tuʻuina atu e GL Catuar (i lalo o le igoa "major-minor ten-ton system") ma faʻalauteleina e IV Sposobin.
2) Le faʻailoga o le masani. o le tonal system of major and minor e fa'afeagai ma le tuai, faiga fa'apena ma faiga fa'atosina o le 20th seneturi.
mau: Yavorsky B., O le fausaga o tautalaga faamusika (meafaitino ma faamatalaga), vaega 1-3, M., 1908; Catuar G., Theoretical course of harmony, vaega 1, M., 1924; Faʻataʻitaʻiga o le lotogatasi, vaega 1-2, M., 1934-35 (Sposobin I., Dubovsky I., Evseev S., Sokolov V.); Berkov V., Harmony, vaega 1-3, M., 1962-1966, 1970; Sposobin I., Lectures on the course of harmony, M., 1969; Kirina K., Major Minor in the Viennese Classics and Schubert, in Sat: Art and Foreign Languages, (Isu 2), A.-A., 1966; lana lava, o le Major-Minor system i le galuega a DB Kabalevsky (faʻavae i luga o mea suʻesuʻe), ibid.
Yu. N. Kholopov
