Chromatism |
Tulaga Musika

Chromatism |

Lomifefiloi vaega
faaupuga ma manatu

Eleni xromatismos - valivali, mai le xroma - lanu paʻu, lanu, vali; xromatikon – chromatic, o lona uiga genos – genus

Halftone system (e tusa ai ma le A. Webern, chromatism o le "gaioiina i afatones"). Chromatisms e aofia ai ituaiga e lua o faiga vaeluaga - o le Eleni anamua "chroma" ma Europa chromatism.

1) "Chrome" - o se tasi o autu autu e tolu. “ituaiga” o le tetrachord (po o “ituaiga o fati”) faatasi ma le “diatone” ma le “enarmony” (tagai i musika Eleni). Faatasi ai ma le enharmony (ma faʻatusatusa i le diatone) o le chromium, o loʻo faʻaalia i le mea moni o le aofaʻi o vaeluaga laiti e lua e itiiti ifo nai lo le tau o le lona tolu. O sea "fa'aputuga" o va vaapiapi e ta'ua. pykn (Greek pyknon, tusi - tumu, masani). I le faʻatusatusa i le enharmonics, o vaeluaga chroma laʻititi o semitones, mo se faʻataʻitaʻiga: e1 - des1 - c1 - h. Mai le manatu o musika faaonaponei aʻoaʻoga Eleni. chroma e tutusa lelei ma fua ma le SW. lona lua (i octave frets - faatasi ai ma le lua sekone faaopoopo, e pei o le aria a le Masiofo o Shemakhan mai le vaega lona lua o le opera The Golden Cockerel saunia e Rimsky-Korsakov) ma e latalata i le diatonic nai lo le chromatic. Na fa'ailogaina fo'i e le aufailotu Eleni i le "fanau mai" "lanu" (xroai), o va'aiga eseese o tetrachords o se ituaiga. E tusa ai ma Aristoxenus, chrome e tolu "lanu" (ituaiga): leo (i sene: 300 + 100 + 100), tasi ma le afa (350 + 75 + 75) ma vaivai (366 + 67 + 67).

Melodica chromatic. O le ituaiga sa va'aia e felanulanua'i (e foliga mai, o le igoa lea). I le taimi lava e tasi, na faʻaalia o ia e faʻamamaina, "coddled". Faatasi ai ma le amataga o le vaitaimi Kerisiano, chromatic. na ta'usalaina fati e le'i faamalieina le amio. manaoga (Clement of Alexandria). I Nar. musika a Sasa'e fa'afefe ma uv. sekone (hemiolic) na tumau pea lo latou taua i le seneturi 20. (Fai Mohammed Awad Khawas, 1970). I le fou European melodic X. e ese le amataga ma, e tusa ai, o se natura ese.

2) O le manatu fou o le X. o loʻo faʻapea o le i ai o le diatonicism o se faavae, lea X. "lanu" (o manatu o le chroma, lanu i Marchetto o Padua; tagai Gerbert M., t. 3, 1963, itulau 74B) . X. ua faauigaina o se vaega o le fausaga maualuga, e tupu aʻe mai le aʻa diatonic (le mataupu faavae o suiga; faatusatusa i le manatu o G. Schenker's structural levels). I le faʻatusatusa i le Eleni, o le manatu fou o le X. e fesoʻotaʻi ma le manatu o le 6 leo (laasaga fati) i se tetrachord (o tagata Eleni e fa lava i latou; O le manatu o Aristoxenus o se tetrachord faʻafefe tutusa o se semitone. o lo'o tumau pea le fa'atulagaina o se fa'aupuga fa'apitoa) ma leo e 12 i totonu o octave ta'itasi. "Nordic" musika diatonicism o loʻo atagia i le faʻamatalaga o le X. o se "faʻamalosi" o le diatonic. elemene, "faaofiina" i le a'a diatonic. se laina o le lona lua (diatonic i totonu lava ia) layer e pei o le X. O lea o le mataupu faavae o chromatic systematics. phenomena, fa'atulagaina i le fa'asologa o lo latou fa'atuputeleina o le mamafa, mai le chromaticity sili ona seasea i le matua mafiafia (A. Webern's hemitonics). X. ua vaevaeina i le fati. ma le chord (mo se faʻataʻitaʻiga, o fati e mafai ona mama na o le diatonic, ma le fati e mafai ona chromatic, e pei o le Chopin's etude a-moll op. 10 No 2), centripetal (faasino i leo o le tonic. ., i le amataga o le 1st variation. o le vaega lona 2 o le sonata lona 32 e L. Beethoven mo le piano.). Fa'asologa o mea taua X.:

Chromatism |

Modulation X. ua faia o se taunuuga o le aofaiga o le lua diatonic, motusia e ala i le tofiaina o i latou i vaega eseese o le fatuga (L. Beethoven, faaiu o le 9th piano sonata, autu autu ma le suiga; N. Ya. Myaskovsky, "Lamasamasama. Itulau” mo piano, Numera 7, ua fefiloi foi ma isi ituaiga o X.); chromatic o leo e eseese faiga ma e mafai ona mamao ese. Subsystem X. (i fa'asesega; va'ai Subsystem) o lo'o fa'atusalia leo o chromatic. sootaga i totonu o le faiga lava e tasi (JS Bach, le autu o le h-moll fugue mai le 1st volume o le Well-Tempered Clavier), lea e mafiafia X.

Ta'ita'i-leo X. e sau mai le fa'aofiina o leo tatala i so'o se leo po'o le fati, e aunoa ma le taimi e sui ai e pei o se si'i i le uv. O le a ou talia (tamaʻi malie; Chopin, mazurka C-dur 67, No 3, PI Tchaikovsky, vaega muamua o le symphony lona 1, le amataga o se autu lona lua; le mea ua taʻua o le "Prokofiev's dominant"). Suiga X. e feso'ota'i ma uiga. Ole taimi ole suiga ole diatonic. elemene (leo, leo) e ala i se laasaga chromatic. semitone – uv. O le a ou talia, faʻaalia manino (L. Beethoven, 6th symphony, 5th movement, faʻamau 4-56) poʻo faʻauigaina (AN Scriabin, Poem for piano op. 57 No 32, bars 2-1).

Mixed X. o loʻo i ai i le faʻasologa faʻasolosolo poʻo le faʻafefiloi faʻatasi o elemene faʻapitoa, o ia mea taʻitasi e aʻafia i mataitusi diatonic eseese (AP Borodin, 2nd symphony, 1st movement, bar 2; F. Liszt, symphony "Faust", 1 -th movement, bars 1 -2; SS Prokofiev, sonata Numera 6 mo pianoforte, 1st movement, bar 1; DD Shostakovich, 7th symphony, 1st movement, numera 35-36 ; NA Rimsky-Korsakov, "The Golden Cockerel", folasaga faaili i le Tulafono II; tutusa tutusa e mafai ona fa'alatalata le pa'u ile X.). Natural X. ("organic chromaticity" e tusa ai ma A. Pusseru) e leai se diatonic. faavae faavae (O. Messiaen, "20 vaaiga ..." mo piano, No 3; EV Denisov, piano trio, 1st gaoioiga; A. Webern, Bagatelli mo piano, op. 9).

A'oa'oga X. i le gagana Eleni. o tagata mafaufau o se fa'amatalaga o va'aiga chromatic. fa'avasega ile numera numera. sootaga i le va o leo o le tetrachord (Aristoxenus, Ptolemy). Fa'ailoa. o le uiga ("ethos") o le chroma o se ituaiga agamalu, mama, na faamatalaina e Aristoxen, Ptolemy, Philodem, Pachymer. Fa'alautelega o aso anamua. X. manatu ma le amataga mo le Vaitau Tutotonu. o le aufailotu o se faʻamatalaga o faʻamatalaga e uiga i X., o Boethius (amata o le 6th seneturi TA). Le fa'ailoga o se fou (fa'aliga leo, transpositional) X., lea na tula'i mai pe tusa. O le seneturi lona 13, i le amataga na foliga mai e le masani ai na taʻua i latou o musika "sese" (musica ficta), "fatu fatu", "sese" musika (musica falsa). Aoteleina leo fou chromatic (mai itu mafolafola ma maai), Prosdocimus de Beldemandis sau ma le manatu o le 17-laasaga leo fua:

Chromatism |

O le "artificial" folasaga semitone o le laʻititi laʻititi na tumau pea o se talatuu mautu o le "ficta music".

I luga o le ala i le eseesega o le anharmonic. tau leo ​​i con. 16th seneturi mai le talitonuga o X. branched microchromatics. Mai le 17th senituri teori X. atiaʻe e tusa ai ma aʻoaʻoga o le lotogatasi (faʻapena lautele bass). Modulation ma subsystem X. o lo'o fa'atautaia muamua. e pei o le fa'aliliuina fa'aliliuina o le nofoaga tutotonu. sela o ladotonality i lalo ifo ma peripheral.

mau: 1) Anonymous, Introduction to Harmonics, Philological Review, 1894, vol. 7, tusi. 1-2; Petr VI, I luga o fatuga, fausaga ma faiga i musika Eleni anamua, Kyiv, 1901; El Said Mohamed Awad Khawas, Modern Arabic Folk Song, M., 1970; Paul O., Boetius und die griechische Harmonik, Lpz., 1872; Westphal R., Aristoxenus von Tarent. Melik und Rhythmik des classischen Hellenenthums, Lpz., 1883; Jan K. von (comp.), Musici scriptores graeci, Lpz., 1895; D'ring I. (ed.), Die Harmonielehre des Klaudios Ptolemaios, Göteborg, 1930.

2) Yavorsky BL, Le fausaga o tautalaga musika, vaega 1-3, M., 1908; Glinsky M., Chromatic signs i musika o le lumanaʻi, "RMG", 1915, No 49; Catuar G., Aʻoaʻoga faʻavae o le lotogatasi, vaega 1-2, M., 1924-25; Kotlyarevsky I., Diatonics ma Chromatics o se Vaega o Musika Myslennia, Kipv, 1971; Kholopova V., I luga o le tasi mataupu faavae o le chromaticism i musika o le 2th seneturi, i: Problems of Musical Science, vol. 1973, M., 14; Katz Yu., I luga o mataupu faavae o le faʻavasegaina o le diatonic ma le chromatic, i: Fesili o aʻoaʻoga ma mea faʻalelei o musika, vol. 1975, L., 3; Marcheti de Padua Lucidarium in arte musicae planae, in Gerbert M., Scriptores ecclesiastici de musica sacra potissimum, t. 1784, St. Blasien, 1963, reprografischer Nachdruck Hildesheim, 1; Riemann H., Das chromatische Tonsystem, i lana tusi: Präludien und Studien, Bd 1895, Lpz., 1898; lana, Geschichte der Musiktheorie, Lpz., 1902; Kroyer Th., Die Anfänge der Chromatik, Lpz., 1 (Publicationen der Internationalen Musikgesellschaft. Beihefte. IV); Schenker H., Neue musikalische Theorien und Phantasien, Bd 1906, Stuttg.-B., 1911; Schönberg A., Harmonielehre, Lpz.-W., 1949; W., 14; Picker R. von, Beiträge zur Chromatik des 16. bis 1914. Jahrhunderts, “Studien zur Musikwissenschaft”, 2, H. 1920; Kurth E., Romantische Harmonik, Bern - Lpz., 1923, B., 1975 (faaliliuga Rusia - Kurt E., Romantic harmony ma lona faalavelave i Wagner's Tristan, M., 1946); Lowinsky EE, Art chromatic Secret i Netherlands motet, NY, 1950; Besseler H., Bourdon und Fauxbourdon, Lpz., 1950; Brockt J., Diatonik-Chromatik-Pantonalität, "OMz", 5, Jahrg. 10, H. 11/1953; Reaney G., le lotogatasi o le seneturi sefulufa, Musica Disciplina, 7, f. 15; Hoppin RH, Saini vaega ma musika ficta i nisi o punaoa amata o le 1953th seneturi, JAMS, 6, v. 3, no 1600; Dahlhaus C., D. Belli und der chromatische Kontrapunkt um 1962, “Mf”, 15, Jahrg. 4, no 1962; Mitchell WL, The study of chromaticism, "Journal of music theory", 6, v. 1, no 1963; Bullivant R., The nature of chromaticism, Music Review, 24, v. 2, No 1966; Firca Ch., Bazele modal ale cromatismului diatonic, Buc, 1978; Vieru A., Diatonie si cromatism, "Muzica", 28, v. 1, leai XNUMX.

Yu. H. Kholopov

Tuua se tali