Musika faataitai |
musika faataitai (mai le lat. experimentum – suʻega, poto masani) - musika na fatuina ina ia faʻataʻitaʻi ai fatuga fou. metotia, tulaga fou o le faatinoga, mea leo masani, ma isi. O le manatu o E. m. e le tumau; e oʻo mai i le faʻafesoʻotaʻi ma faʻamatalaga e pei o le "saʻiliʻiliga fatufatuaʻi", "faʻafouina", "faʻalavelave mataʻutia" poʻo (faʻatasi ai ma se faʻamatalaga le lelei) "se ala na iu ina leai se faʻamoemoe". O le fesoʻotaʻiga o nei manatu ma a latou fesoʻotaʻiga e aveesea ai le faaupuga "E. m.” manino ma tumau tuaoi. O le tele o taimi, o galuega e manatu i ai o le E.m., i le aluga o taimi, e ulufale atu i le faatinoga o le faatinoga ma leiloa a latou uluai. o se paʻi o le faʻataʻitaʻiga ("atonality" i le Liszt's Bagatelle Without Key, 1885; o le gaioi o le ie leo i le vaega a Ives mo potu potu The Unanswered Question, 1908; o le fausaga sili ona atiaeina dodecaphonic i le Webern's miniature Orchestral Piece Nu. 1, 1913; “ta piano saunia” i le Cage's Bacchanalia, 1938, ma isi). Faʻataʻitaʻiga-usuaga e mafai foi ona faʻatatau i E. m., mo se faʻataʻitaʻiga. musika na tusia e tusa ai ma fua o le tusi a le tamaititi aʻoga a Bach o Kirnberger "The Hourly Ready Writer of Polonaises and Minuets" (1757) poʻo le tusi e faʻatatau ia Mozart "A Guide to Composing Waltzes i Any Quantity Using Two Dice, Without Having Slightest Idea o Musika ma Tulaga” (1793).
I le 50s. 20th seneturi Musika sima, musika faaeletonika, na masani ona taʻua o musika faaeletonika (i le 1958, o le amataga o musika sima, P. Schaeffer, na taʻitaʻia le First International Decade of Experimental Music i Pale). E faapefea E. m. mafaufau foi, mo se faataitaiga, le tuufaatasia o le malamalama ma musika (musika mama), musika masini.
Fa'ata'ita'iga musika. art-ve, fatuina o se lagona o le susulu ma le fou o faatufugaga. talia, e le o taimi uma e taitai atu ai i se taunuuga matagofie atoatoa, o le mea lea e masani ona masalosalo le au musika i le E. m.: "O se faʻataʻitaʻiga o lona uiga o se mea i le faasaienisi, ae e leai se uiga i le (musika) fatuga" (IF Stravinsky, 1971, p. 281).
mau: Zaripov R. Kh., Ural melodies (i luga o le faagasologa o le fatuina o musika ma le komepiuta faaeletonika Ural), Knowledge is Power, 1961, No 2; lana lava, Cybernetics ma musika, M., 1963, 1971; Galeev B., Scriabin ma le atinaʻeina o le manatu o musika vaaia, i le: Music and Modernity, vol. 6, M., 1969; o lana lava, Musika mama: o le faʻavaeina ma le fatu o ata fou, Kazan, 1976; Kirnberger J. Ph., Der allezeit fertige Polonoisen- und Menuettencomponist, B., 1757; Vers une music experimentale, “RM”, 1957, Numéro special (236); Patkowski J., Zzagadnien muzyki eksperimentalnej, “Muzyka”, 1958, rok 3, no 4; Stravinsky I., Craft R., Talanoaga ma Igor Stravinsky, NY, 1959 (Faaliliuga Rusia – Stravinsky I., Dialogues …, L., 1971); Cage J., Zur Geschichte der experimentellen Musik i le Vereinigten Staaten, “Darmstädter Beiträge zur neuen Musik”, 2, 1959; Hiller LA, Isaacson LM, Experimental music, NY, 1959; Moles A., Les musiques experimentales, P.-Z.-Bruz., 1960; Kohoutek C., Novodobé skladebné teorie západoevropské hudby, Praha, 1962, i lalo o le ulutala: Novodobé skladebné smery v hudbe, Praha, 1965 (Faaliliuga Rusia - Kohoutek Ts., Technique of Composition in Music of the 1976th Century 1975th) ; Schdffer B., Maly informator muzyki XX wieku, Kr., XNUMX. Va'ai fo'i moli. i lalo o tusitusiga Concrete music, Electronic music.
Yu. N. Kholopov
